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Shooting with the Rebel XSi is a pleasant experience. The grip is great, making the camera feel a little less tiny, and the curves make handling the camera comfortable all around. Save for the new ISO button's position, controls are very good, improved when the larger LCD eliminated the left-side buttons. Checking exposure and focus is a lot easier with the larger LCD, and thanks to Live View, you can quickly check focus before you capture. The new image-stabilized lens included with the Canon XSi is excellent, quite an improvement over the last model.

Its zoom ring works more smoothly and the knurled grip is easier to hold. Image stabilization works very well, serving up more high quality shots in very low light. The lens isn't USM, which means it doesn't have an ultrasonic motor for fast, nearly silent focusing, but the motor isn't disagreeably loud at all, and it's fast enough.

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The lens mount is about 1. Subtle, but noticeable : This is what the difference between 3. Frame rate. The Canon XSi's faster frame rate is a minor improvement, but certainly welcome, making it more likely that you'll get a just the right moment from a sequence. The shutter sound is different, but still includes a lot of whirring and stomping, instead of a nice, simple click-click.

Some might prefer the winding sound, but to me it draws too much attention. I doubt most people think about it as much as I do, but for those of you who do, here's a small video. The new lens release button makes it a little easier to change lenses, and while it's hard to get used to a Canon SLR with a small SD card door, it does fit the small body of the Rebel XSi. It has thrown me on occasion when my standard complement of CF cards was no help after I'd filled an SD card. Now I carry both.


Shooting in Live View mode is pretty easy once you get used to it; though focusing by pressing the AE-Lock button is a little cumbersome when shooting from odd angles. I suppose they separated the buttons to avoid the confusion of the mirror going up when you half-press the shutter button. Surely that would make many users think they'd taken a picture. And in "Live" AF mode, it's a lot slower than some digicams, especially in low light with camera movement, so I'm sure that's why they left AF activation on the AE-Lock button. As well as it works, I recommend against using the Live View mode as a default shooting method.

Use it for fine focusing while shooting from a tripod where you can afford the time to confirm or specify which focus point or area is in use, or when shooting from odd angles, but you get better camera stability when shooting with the camera held to your face than you do holding it out in front of you. Battery life also drops from to shots when shooting in Live View, so invest in a spare battery if Live View is your thing. There's so much about the XSi that's similar to the XTi that there's not much new to say about the camera shooting experience.

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It works extremely well, is fun to shoot with, and captures some amazing images. Live View is just a bonus. Shutter lag with full autofocus is 0. Prefocus shutter lag is 0. And Live View modes, we were unable to test shutter lag inclusive of the autofocus process, because our method depends on pressing one button--the shutter release--to activate the test. But once focus is achieved, both contrast-detect and phase-detect are fast: Full AF contrast detect is 0.

It's a shame they're not as fast as the optical viewfinder mode, but the shutter does have to close before it opens for the exposure to work with a CMOS sensor, so that's likely the cause for the delay. We almost never see such a precise match to the number claimed. With our hard-to-compress torture target, we managed 13 frames before the buffer filled, and it only took five seconds to clear. In RAW mode, we calculated 3. That's all pretty good for a Rebel moving If you're shooting portraits, a wedding, or a sporting event with RAW, you'll run into the ceiling more often than you'd like; but most users won't notice the frame rate or buffer limitations.

Most users would be able to set the camera to ISO 1, and shoot in all settings, especially if the largest they intend to print is an 8xinch photo. As such, here is my usual ISO 1, comparison table. Look at both images carefully and consider the relative costs before coming to a conclusion. While the XSi looks more grainy, with more chroma noise, that's due to Canon's strategy to maintain more detail in its noise suppression efforts, while Nikon has gotten very good at creating a very smooth image, but they're still losing some detail in the process.

The mosaic image shows a more complex subject, with some tiles doing better with the Canon, others with the Nikon. Our best test of how much noise suppression is doing to mush out detail in an image is the red cloth with the leaf pattern on it. Though it's a little darker, the XSi's image is truer to the actual pattern than the artistic but incorrect rendering with the Nikon D Lighting and contrast are slightly different in each camera, so there's a lot to consider in these crops.

But it's significant that an inexpensive camera like the Rebel XSi can stand up well against a high quality camera costing twice as much; and the D doesn't come with a lens, let alone an image-stabilized one. I think it's also worth comparing the XSi to the megapixel XTi to see what you might be getting in terms of extra detail. Both cameras by default have their sharpening turned down, so you can actually get a sharper image pixel-for-pixel onscreen, but these are both quite good performers.

One more comparison.

The lines inside these letters usually do not show up on cameras with resolutions lower than 12 megapixels, as you can see in the XTi shot top right. The top row shows ISO shots, and the bottom row has ISO 1, shots from each camera, and all are remarkably similar. The Canon 5D looks better than most, but also shows more evidence of sharpening at both settings.

The two Nikons do well with the larger letters, but reveal very few lines in the smaller letters, like the L and G in Lager. Ultimately, again the Canon XSi really does well against these larger, more expensive cameras, so you can expect plenty of detail in your images. Note : We have many more shots for you to peruse on this review's other tabs, including the Optics and Exposure tabs. Good set.

A camera with the Rebel name has never carried such sophistication, nor so rich a feature-set. It has all that makes the Rebel XTi great, but with more resolution, live view, a faster frame rate, a new look, and an image-stabilized lens. It's easy to use as a snapshot camera, yet offers plenty to delve into for more creative uses. Its compatibility with all that the Canon EOS line has to offer strengthens its utility: external flashes, battery grips, and a wide range of lenses can be brought to bear on just about any photographic challenge. Existing EOS owners will have to invest in a few SD cards and perhaps a couple of new batteries to make the switch, as well as a new battery grip if they already have one, but lenses and flashes are compatible and ready to go.

Adding a flash is my first recommendation for better indoor shots, and the Canon EX II will ship in August to meet the need for a light, high-quality bounce flash the EX is just fine too. Yes, you can get some great shots indoors with the XSi's kit lens and either the pop-up flash or high ISO, but when you add a telephoto lens, or your subject starts moving, you're going to need some extra light. Combined, you'll have a 13x zoom range with a pretty high quality sensor to back it up.

Of course, the Canon Rebel XSi will deliver great photos with just the contents of the kit. That's high praise all by itself. As I said of the XTi, the Canon Rebel XSi is an excellent, take-anywhere, all-purpose digital SLR camera that's great as a second camera for pros, or as a primary camera for anyone else. It will more than serve, it will make its owner very happy.

Canon has another hit. The Rebel XSi has just about everything you want from a semi-pro camera in a smaller package. It's small, lighter than its predecessor, and has all the good stuff the competitors have, plus that legendary Canon image quality. Canon made minor but important improvements to the grip and controls, and kept all that was great about its predecessor. Adding Live View and image stabilization addressed a few elements that other companies, namely Olympus and Pentax, have had in their favor at the low-price end of the market. If anyone knows how to address the image stabilization problem, it's Canon, with years of experience and a proven track record.

As we noted in the Rebel XTi review, the older kit lens needed another upgrade to do justice to that camera's megapixel sensor; Canon clearly thought so too, because the new mm IS lens is significantly improved, as our SLRgear.

Using the Canon EOS 450D / Digital Rebel XSi DSLR - Steve Pidd

There is still some corner softness and chromatic aberration, but surprisingly little. The lens's build is better than past models, as well, and it delivers such a good focal length range with so little weight that I recommend most people buy the kit to get this fine little lens for those days they just want a light, high-quality camera along.

Though autofocus is said to have been improved in the Rebel XSi, I don't see much of a difference. It's still as excellent as its predecessor. We do see some improvement in the lab tests, however, with faster shutter lag numbers overall. Shutter lag lengthens in Live View mode thanks to the need to close the shutter before the actual exposure, but that's to be expected. It's still darn fast. The requirement to use the AE-Lock button to focus in Live View mode will cause many to think there's something wrong with the camera, and I haven't really gotten used to it despite my long use of the camera.

Learn to shoot with the optical viewfinder by default, leaving Live View for special situations and tripod use, and you'll be happier with the experience. Most of the benefit of an SLR can be found in that optical viewfinder, with a truly real-time view of your subject. And now it's improved over its predecessor with a larger view. All of the Canon Rebel XSi's new features help you get better images in more situations, but the real question was whether Canon could take this small sensor size to megapixels without significantly affecting image quality.

I think there's a little more aggressive noise suppression at low ISO settings, but detail remains very strong; and at ISO 1, quality is so strong that you can safely print images up to 11xinches, while the XTi's ISO 1, images would only withstand enlargement to 8x Canon has done it again. Image quality, performance, and utility have only improved, which makes the Canon Rebel XSi an easy Dave's Pick , and a great value for anyone looking to get better pictures.

XSi vs SD1 Merrill. XSi vs T6.

Canon EOS Digital Rebel XSi/450D For Dummies

XSi vs T6i. XSi vs K-3 II. XSi vs D XSi vs T6s. XSi vs KP.

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XSi vs T7i. XSi vs SL2. XSi vs A XSi vs A77 II. XSi vs K XSi vs T7. XSi vs Df. XSi vs 77D. Imaging Resource rating 5. The Rebel XSi's shutter release button right is canted more aggressively like Canon's semi-pro SLRs, with a nice wide pad for the finger to rest in. Buy the Canon XSi. Similar to the XSi but smaller lighter larger sensor cheaper But Sigma SD1 Merrill. Canon T6.

Canon EOS D - Wikipedia

Canon T6i. Pentax K-3 II. Nikon D Canon T6s. Pentax KP. Canon T7i. Canon SL2. Sony A Sony A77 II. Canon 7D Mark II. Pentax K Canon T7. Nikon Df. Community Reviews. Showing Rating details. More filters. Sort order. May 23, Ainsley Mcdougal rated it really liked it Shelves: photography. I'm about halfway through reading this book and its helped me understand how to work my new camera - with all its bells and whistles.

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